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Previous: The Pak Yung and I: My Attempt at Becoming King

2020 Edition

  • The Turning Point?
  • Teaching Dance Technique Online
  • Creating in Quarantine
  • Metamorphosis International Residency 2018

2019 Edition

  • Gazing at “The Dialogue”
  • Creating Work at the International Young Choreographer Project
  • Dance Camp!
  • Let the Choreography Speak
  • Composing Solos with a Muse
  • My Experience as Bonda

2017 Edition

  • Devising Dance in Southeast Asia
  • We Are All Water Bags: Bodies Connecting at API2
  • Contemporary Dance in PeTA Tari
  • How to Position Your Body to Survive
  • Teaching Creative Dance to Myanmar Refugee Children

2016 Edition

  • In Choreography, I am Young!
  • A Journey in the Heart of One Dancer
  • 2020: A Five-Year Plan for a Multidisciplinary Series of Performances
  • Southeast Asian Choreolab 2015
  • Investigating the Space of the Body through Shaking
  • Talking about Love Through Dance
  • Dream or Memory: Creating a Site-Specific Work
  • The Pak Yung and I: My Attempt at Becoming King

2015 Edition

  • Editorial: A Space for Sharing
  • Documenting the Power of Dance: An Interview with Indrani Kopal
  • Malay Dance as a Source of Inspiration for Contemporary Creations
  • The Legend of Kinabalu
  • Amidst Affliction: An interview with Raymond Liew
  • “LUST”
  • A Chance to Prove
  • But I Did: Learning Jack Kek’s But You Didn’t
  • The American Dance Festival in Henan: An Overview
  • “rehab”">The Making of “rehab”
  • The 9th Kua Bu Series: The Unicorn’s Travelogue
  • My “Radio Tari” Experience

2019 and 2020 editions funded by

2015 to 2017 editions were